Normal bias cassette, black shell with large window and title label on Side A, windowless and unlabeled Side B, with printed J-card in soft polybox. 7 made in total.
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The tape sampled in this track has the FBI catalog number Q618 and records a spring 1976 phone call between Garry Lambrev, who was then a member of Peoples Temple, and Liz Forman, who had left the community: jonestown.sdsu.edu?page_id=28202
lyrics
Hello?
How're you doing, kid?
Garry?
Yeah
Oh, God am I glad to hear from you
Eva, I've got it
Listen, I've got a message for you from our friend
Okay, hon, just a second, okay?
Okay
I'll hang on
Eva
Eva
Can you hang up the phone?
Garry, I thought Jean Brown was going to be calling
Jean Brown?
Yeah, because, see, Jean Brown, um
called Bruce, and I said,
"Call her back and tell her where I am
Give her the number"
Hm, I know nothing about it
Yeah, this just happened a few minutes ago
So when the phone rang I thought
oh, that must be Jean
Oh, Garry, I'm so glad to hear from you
Um, LIz, it's really weird calling you like this
but listen, I want you to hear this message
Okay
I, um
Could you just listen to it straight?
If you have any questions or comments or whatever
just, you know, like, bring them up
Okay, where are you, Garry?
I'm calling from a private phone
A private phone?
Yeah
You're all by yourself?
Yeah
You're not being taped?
I don't believe this
No
Oh, well, it's okay if I am
Go ahead
Okay
Listen,
Jim and Marcie have really great love for you
And, uh, Jim hates to see you make this mistake
And you know there's strength in numbers
I mean, you've done it too
You've been part of this long enough
I know there's strength where?
You know that there's strength in numbers
All the numbers we have
We really hate to see you burn your bridges behind you, kid
Really do
You know this is a place of protection
and love
credits
from Lost Temple,
released November 30, 2021
Samples the Federal Bureau of Investigation's RYMUR case tapes, obtained through Freedom of Information Act requests and generously shared with the public by the Jonestown Institute.
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Chassol pioneers a mind-blowing technique called "ultrascore," where he layers jazz instrumentals atop found sound and field recordings, highlighting the melodies of speech and street music. Dominique Cyprès